RADIAN Ph.D. Program
The RADIAN doctoral program closely integrates research and creation. It is based on an innovative model that approaches research in art, graphic design, literary creation, and architecture through practice, placing the creative work and process at the heart of the doctoral student’s work, in dialogue with academic research. The creative doctoral thesis consists of a work (or a body of works) accompanied by a theoretical document of approximately 100 pages.
By proposing to conduct experimental research rooted in contemporary creative practices, the RADIAN doctoral program is intended for artists, architects, designers, and/or authors with an established and recognized body of work in their respective fields. RADIAN enables research through practice and experimentation that leads to the production of diverse artistic forms consistent with the research question. Fueled by constant back-and-forth between theory and practice, between conceptualization and experimentation, the research approach unfolds within and alongside the vocabularies, languages, methods, media, and challenges of contemporary creation. The doctoral program is led by two faculty members, one of whom holds a qualification to supervise research, and the other from one of the three higher education institutions in the cultural sector. Since 2018, the RADIAN doctoral program has been jointly administered by the Le Havre-Rouen School of Art and Design (ésadhar), the Caen/Cherbourg School of Arts & Media (ésam), the École nationale supérieure d’architecture de Normandie (ENSA Normandie), and the HMPL 558 Normandie Humanités doctoral school. Each of the partners is a member of the Normandy University Community of Universities and Institutions (COMUE). RADIAN is supported by the Normandy Region and the Ministry of Culture.
Research Director
Marie-José Ourtilane
Theses Defended
Guillaume Maraud | February 2026 Contemporary Interpretations of the Legal and Political Concept of Abolition: From the Analysis of Theoretical Discourse to the Practice of Law through Research-Creation. The jury consisted of: | |
Léna Osseyran | March 2025 The Representation of Embodied Spaces Through the Lens of Devastated Bodies and Contemporary Theater Léna Osseyran is a director, actress, and architect who has been based in France since 2019. In her thesis, she aims to explore representation in theater, the creation of dramaturgical elements in contemporary theatrical forms, and in atypical architectural configurations. Her thesis is co-supervised by Romain Jobez (University of Caen & LASLAR) and Edith Doove, curator. | |
Theodora Barat | December 2024
Four Corners: A teeming desert, a sacrificial zone, a subject of artistic representation. The jury consisted of Luc Benoit at La Guillaume, University of Rouen Normandy, thesis co-advisor Céline Flécheux, University of Paris 8 Vincennes-Saint-Denis, examiner Marta Ponsa, Jeu de Paume, examiner Isabelle Prim, Caen School of Arts and Media, thesis co-supervisor Olivier Schefer, University of Paris 1 Panthéon-Sorbonne, rapporteur | |
Clément Hebert | December 2024 UΚ-100: A Modernist Dwelling? A Symptomatic Object and Critical Laboratory At the examination, the jury consisted of: | |
Olivia Gay | November 2023
From documentary imagery to the photographic tableau: Toward a comprehensive understanding of photography.
At the University of Caen, the jury consisted of Carole Maigné, professor at the University of Lausanne Jérôme Laurent, professor at the University of Caen Jean Kempf, professor emeritus at the University of Lumière-Lyon II (pre-rapporteur) Philippe Bazin, author and photographer (pre-rapporteur) Paul Edwards, Senior Lecturer at the University of Paris Cité Anca Cristofovici, professor at the University of Caen and thesis co-advisor Tania Vladova, professor at ÉSADHAR and co-advisor for the thesis | |
Matthieu Martin | March 2023 In Cité: Toward an Art of Shared Space? From Drop Sculpture to Collaborative Installation. At the Caen Museum of Fine Arts, the jury consisted of: | |
Guillaume Aubry | November 2022
Chasing the Sun Between comedy, drama, and tragedy, the sunset as a spectacle of the small end of the world at the FRAC de Normandie in Caen. Edited by Brigitte Poitrenaud-Lamesi (University of Caen-Normandy) and Arnaud François (National School of Architecture of Normandy). |
Ph.D. students currently enrolled in the program
Sophie Dubosc | 2024 | |
Misia Forlen | 2024 | |
Nikolas Foure | 2024 | |
Jasmine Kenniche | 2024 | |
Christophe Lemaitre | 2024 | |
Myriam Mechita | 2024 | |
Maxence Rifflet | 2024 | |
Kévin Zanin | 2024 | |
Raphaël Zarka | 2023 | |
Manon Recordon | 2022 | |
Bocar Niang | 2021 | |
Géraldine Longueville | 2021 | |
Emmanuel Guillaud | 2020 | |
Benjamin Hochart | 2020 | |
Victor Vaysse | 2020 | |
Alexis Guillier | 2018 |